Milky Way

Well, first I must apologise that I have not had the opportunity to add an entry for a couple of weeks, and second, I must apologise that I still haven’t got time to update you all now. I have in short been extremely busy working, taking photos and working on some new graphic design projects.

But just to keep everyone interested I did manage to go out and take some of my most successful night time imagery yet, here are the results.

Church at Sandy Bay. This image is the result of 12 photos stitched together. The foreground is illuminated using a technique called light painting, whereby a torch is used to gently  light the subject during a long exposure.

Church at Sandy Bay. This image is the result of 12 photos stitched together. The foreground is illuminated using a technique called light painting, whereby a torch is used to gently light the subject during a long exposure.

Another shot of our neighbours. This time an 16 shot panorama with a double exposure for the car.

Another shot of our neighbours. This time an 16 shot panorama with a double exposure for the car.

Our house, a tiny spec in the endless galaxy.

Our house, a tiny spec in the endless galaxy.

View from the back garden!!

View from the back garden!!

The night skies the past two weeks have been breathtaking. For the shot below I left home around 10.30pm and drove to Sandy Bay. I knew it would be magical as I drove down the narrow steep rode that leads to the bay. The smell of flowers were heavy on the air. Leaving the car I walked, in absolute darkness down to the bay. Above me, a million billion stars in an endless sky, the milky way clearly visible stretching across the sky and marking the entrance to the bay. I lay motionless, listening to the sound of the waves, and frogs ribbiting in the back ground. The air was still, not the slightest breeze. I was alone, on planet earth, but one could not help thinking something, or someone else must be out there in the countless planets that surround us. It was magical.

This complicated photo involved a lot of work and is by no means perfect. The foreground requires a lot of light to be cast on it, so during a 20 second exposure, two off camera flashes are fired twice each to through some light on the foreground and distant rocks. Second exposures are then used to captre the skies. Finally a third set of images were needed to get the very nearby rocks in foucs against the distant stars. All in, 22 photos are then layered and stitched into this large panorama.

This complicated photo involved a lot of work and is by no means perfect. The foreground requires a lot of light to be cast on it, so during a 20 second exposure, two, off camera flashes are fired twice each to throw some light on the foreground and distant rocks. Second exposures are then used to capture the sky. Finally a third set of images were needed to get the very nearby rocks in focus against the distant stars. All in, 22 photos are then layered and stitched into this large panorama.